delorie.com/archives/browse.cgi   search  
Mail Archives: djgpp/1998/04/06/00:17:56

From: Li G Tsai <tsaili DOT 30 AT osu DOT edu>
Newsgroups: alt.music.makers.dj,comp.os.msdos.djgpp,ncf.sigs.arts.dj,uk.music.makers.dj
Subject: Re: How Do I Remix Something
Date: Sun, 05 Apr 1998 23:44:24 -0400
Organization: OSU
Lines: 22
Message-ID: <35284F98.1C7A@osu.edu>
References: <01bb20bf$e00e5a60$4d4958c2 AT default> <3527db3d DOT 9160721 AT news DOT prestel DOT co DOT uk> <6g8tj6$fnu$1 AT news DOT ccit DOT arizona DOT edu>
NNTP-Posting-Host: lot.eng.ohio-state.edu
Mime-Version: 1.0
To: djgpp AT delorie DOT com
DJ-Gateway: from newsgroup comp.os.msdos.djgpp

William Abraham wrote:
> 
> >Also, modern samplers have built in echo, reverb, etc.
> >These effects are *essential* to a good sounding mix.
> 
> Why do you say this? What genre of music are you talking about? Give some
> examples of songs with good echo and reverb, please. This isn't a flame,
> just something I don't understand. I've never liked echos, unless it's maybe
> a trance song.

Almost every song has been processed with echo, reverb boxes.  In order
to increase the presence of stereo imaging, fattening vocals or simply
creating a correct fading between sounds.

Dj George,
  
> 
> --
> 
> William Abraham
> wabraham AT u DOT arizona DOT edu
> http://www.u.arizona.edu/~wabraham

- Raw text -


  webmaster     delorie software   privacy  
  Copyright © 2019   by DJ Delorie     Updated Jul 2019